His journal posts
the jaded man - he sat indoors,
ignoring norms, abhorring chores;
he hated everything that moved:
subscribers to archaic rules-
the ones that exalt ignorance,
disregarding dissonance,
bound by by some outdated law,
being visceral, acting raw...
he sought a surge of new cognition,
and met tradition: crucifixion.
the jaded man - he sat indoors,
ignoring norms, abhorring chores;
he hated everything that moved:
subscribers to archaic rules-
the ones that exalt ignorance,
disregarding dissonance,
bound by by some outdated law,
being visceral, acting raw...
he sought a surge of new cognition,
and met tradition: crucifixion.
misanthropic martyr
I didn't read either of them but I intend to someday.
The title of the paper is "Madness," and I got an A- despite
handing it in two weeks late.
Throughout the history of American literature, writers have used
their works as platforms to subtly express some of their own
opinions regarding politics, religion, psychology, and just about
anything else under the sun. Sometimes the messages are blatant and
intended for easy interpretation, though other times one may have
to read between the lines to expose the true nature and purpose
behind the text. On the exterior, stories like The Yellow Wallpaper
and The Turn of the Screw could appear to be written simply for the
purpose of entertainment, but under scrutiny one might derive a
different meaning. Throughout this essay I will attempt to
elaborate on these alternative interpretations within the two
aforementioned works. Specifically, I would like to discuss the
psychological implications of the governess as well as the feminist
themes within The Yellow Wallpaper.
The Turning of the Screw
First, I would like to address the question of the governess’
sanity in The Turn of the Screw. I have little doubt that, rather
than being haunted by specters, the governess was the victim of a
psychotic break. I suspect that the condition that caused this
tragedy was none other than paranoid schizophrenia. Though the term
“schizophrenia” was not officially coined until the year 1908, the
concept of madness has been prevalent throughout the ages, and
judging by the symptoms present in the governess, we can assume
that these two terms are synonymous. Let us consider the things
that we know about the governess and the variety of symptoms she
displayed during her stay at the House of Bly. First of all, she is
twenty years old – a prime onset age of schizophrenia. She is, by
nature, a very neurotic individual and prone to indulge in fantasy.
Here is a fine example of that:
“I had the view of a castle of romance inhabited by a rosy sprite,
such a place as would somehow, for diversion of the young idea,
take all color out of storybooks and fairytales. Wasn't it just a
storybook over which I had fallen adoze and adream?” (Screw, *
[Chapter 1])
Having spent so much of her leisure time reading romance
literature, we can quickly come to the conclusion that this only
contributed to her imaginative capacity. Much like Editha, the
governess becomes consumed with ensuring that she can conform her
reality to the standards of the literature that continually allows
her to be swept away. Such an endeavor can only lead to
disappointment and poor choices in the future. She ultimately lets
her fancies get the best of her, and that leads to delusional
thinking.
There are several different types of delusions that a person can
come to fully embrace after a psychotic break. The major delusions
that the governess exhibited were those of persecution and
grandeur. She considered herself the sole guardian of Flora and
Miles against the forces of darkness, yet she also had the habit of
thinking that perhaps those same children were conspiring with
ghosts against her. The governess acknowledged that she may sound
psychotic, but by that point, she had little doubt that her
thoughts were deceiving her:
“I declared; ‘they're talking of them -- they're talking horrors! I
go on, I know, as if I were crazy; and it's a wonder I'm not. What
I've seen would have made you so; but it has only made me more
lucid, made me get hold of still other things’” (Screw, * [Chapter
12]).
Her self-affirmation of this lucidity tells us that, in her mind,
these reflections are completely well founded; there can be no
mistake because she is absolutely certain that she observed real
apparitions. While present-day delusions generally deal more with
fears of law enforcement and alien entities, this is merely a
reflection upon the culture in which we live. During the late
nineteenth century, the same concepts were far less threatening and
less likely to cause irrational fear; instead, especially with a
woman like the governess, romance literature was abundant and much
more likely to influence those who use it for stimulus. She was
much more likely to suspect ghosts, witches, or vampires as the
enemy rather than government or extraterrestrial conspiracies
simply because of her environment.
Finally, we come to the evidence that the governess needs to
further purport her claims: the sighting of ghosts. Without this
strange occurrence, there would be no foundation for the rest of
her hysterical behavior. The unusual thing about these ghosts was
that only the governess could see them. This leads me to think that
the only possible explanation for her paranormal experiences is
hallucinations. Visual hallucinations are very common in
schizophrenia, and they only reinforce the symptoms that follow.
Having thought she’d seen actual ghosts, the governess’ mental
state only continued to deteriorate. In the end, her paranoia
manifested in a violent manner: she posed a threat to Flora’s
health and she actually killed Miles. Ironically, the woman who
thought that she was the only hope for the children actually
managed to psychologically torture them. Those who live with
schizophrenics are familiar with the distress that is caused by
those affected by this illness. Who is to blame for the turning of
the screw? I maintain that the culprit was simply the brain
chemistry of the governess herself, augmented by a catalyst like
romance literature.
The Yellow Wallpaper
There’s no question that the woman in The Yellow Wallpaper
eventually succumbs to madness. Personally, I suspect postpartum
psychosis, but I digress. I intend to address an entirely different
matter within the text: feminist themes. In this short story, the
protagonist, named Jane, is sent to live by herself in a room
covered in yellow wallpaper because her husband (John), a
physician, holds the opinion that rest and confinement can treat
her “temporary nervous depression”. Though it is suggested that the
cause of her condition is a result of a recent pregnancy, it is
ludicrous for anyone – especially a medical professional – to
suggest isolation as a treatment of any disorder containing the
word “depression.”
Jane silently expresses her apprehensiveness to her husbands
approach by saying “Personally, I disagree with their ideas.
Personally, I believe that congenial work, with excitement and
change, would do me good” (Yellow Wallpaper, **). She wouldn’t dare
vocalize her doubts because of gender roles in that time period. In
fact, she submits to his every whim because the society that she
has the misfortune of living in happens to be barbarically
chauvinistic in nature. Men were considered to be more rational and
suited for working while women were regarded as fragile – prone to
neurotic behavior.
The most disturbing fact about this relationship is that John
actually doubts that there is anything wrong with his wife. This,
to me, illustrates a lack of trust and respect on his behalf. If
anything will provoke negative feelings in someone who is
suffering, it’s the absence of support (especially from family) and
the solitude to reflect upon this fact. Jane must suppress her
emotions because there is no system of understanding between the
couple and the norm of the culture is to adhere to the rules set by
the man of the house. She (along with most of the women during this
time) have been brainwashed into depriving herself of anything that
would displease their spouse. John is hardly concerned about his
wife’s emotional state; instead of being there for her during a
difficult time, he is more zealous about his own prerogative.
In the time that Jane spends by herself, her resentment for this
treatment is projected upon the yellow wallpaper that surrounds
her. With no other stimulus, she studies the wallpaper scornfully
and creates a history for the people who were unlucky enough to
share this room in the past. Instead of confronting John (though it
would seem to be futile), she directs her hatred toward the pattern
scrawled upon the walls. Through unmolested rumination, she focuses
all of her attention on the wallpaper, developing fantastic ideas
about the substance of this pattern. She becomes consumed with the
wallpaper, becoming increasingly unstable, until finally she has a
psychotic episode. One could argue that perhaps this is an epiphany
– a realization that she no longer has to be subservient. Jane rips
the wallpaper off of the wall and laps around the room in a
creeping manner. In a final image of a woman overcoming adversity,
she responds to the fainting of her husband by walking over his
limp body.
*Both texts were available online and I used them instead of buying
the book. If you’re looking for a specific quote that I’ve cited,
you can use the CTRL+F function to search the page for it.
Works Cited
** Gilman, Charlotte. "The Yellow Wallpaper." Gilman, The Yellow
Wallpaper. 28 April 2009 .
* James, Henry. "James, Henry . The Turn of the Screw." The Turn of
the Screw. Electronic Text Center, University of Virginia Library.
28 April 2009 .
I didn't read either of them but I intend to someday.
The title of the paper is "Madness," and I got an A- despitehanding it in two weeks late.
Throughout the history of American literature, writers have usedtheir works as platforms to subtly express some of their ownopinions regarding politics, religion, psychology, and just aboutanything else under the sun. Sometimes the messages are blatant andintended for easy interpretation, though other times one may haveto read between the lines to expose the true nature and purposebehind the text. On the exterior, stories like The Yellow Wallpaperand The Turn of the Screw could appear to be written simply for thepurpose of entertainment, but under scrutiny one might derive adifferent meaning. Throughout this essay I will attempt toelaborate on these alternative interpretations within the twoaforementioned works. Specifically, I would like to discuss thepsychological implications of the governess as well as the feministthemes within The Yellow Wallpaper.
The Turning of the Screw
First, I would like to address the question of the governess’sanity in The Turn of the Screw. I have little doubt that, ratherthan being haunted by specters, the governess was the victim of apsychotic break. I suspect that the condition that caused thistragedy was none other than paranoid schizophrenia. Though the term“schizophrenia” was not officially coined until the year 1908, theconcept of madness has been prevalent throughout the ages, andjudging by the symptoms present in the governess, we can assumethat these two terms are synonymous. Let us consider the thingsthat we know about the governess and the variety of symptoms shedisplayed during her stay at the House of Bly. First of all, she istwenty years old – a prime onset age of schizophrenia. She is, bynature, a very neurotic individual and prone to indulge in fantasy.Here is a fine example of that:
“I had the view of a castle of romance inhabited by a rosy sprite,such a place as would somehow, for diversion of the young idea,take all color out of storybooks and fairytales. Wasn't it just astorybook over which I had fallen adoze and adream?” (Screw, *[Chapter 1])
Having spent so much of her leisure time reading romanceliterature, we can quickly come to the conclusion that this onlycontributed to her imaginative capacity. Much like Editha, thegoverness becomes consumed with ensuring that she can conform herreality to the standards of the literature that continually allowsher to be swept away. Such an endeavor can only lead todisappointment and poor choices in the future. She ultimately letsher fancies get the best of her, and that leads to delusionalthinking.
There are several different types of delusions that a person cancome to fully embrace after a psychotic break. The major delusionsthat the governess exhibited were those of persecution andgrandeur. She considered herself the sole guardian of Flora andMiles against the forces of darkness, yet she also had the habit ofthinking that perhaps those same children were conspiring withghosts against her. The governess acknowledged that she may soundpsychotic, but by that point, she had little doubt that herthoughts were deceiving her:
“I declared; ‘they're talking of them -- they're talking horrors! Igo on, I know, as if I were crazy; and it's a wonder I'm not. WhatI've seen would have made you so; but it has only made me morelucid, made me get hold of still other things’” (Screw, * [Chapter12]).
Her self-affirmation of this lucidity tells us that, in her mind,these reflections are completely well founded; there can be nomistake because she is absolutely certain that she observed realapparitions. While present-day delusions generally deal more withfears of law enforcement and alien entities, this is merely areflection upon the culture in which we live. During the latenineteenth century, the same concepts were far less threatening andless likely to cause irrational fear; instead, especially with awoman like the governess, romance literature was abundant and muchmore likely to influence those who use it for stimulus. She wasmuch more likely to suspect ghosts, witches, or vampires as theenemy rather than government or extraterrestrial conspiraciessimply because of her environment.
Finally, we come to the evidence that the governess needs tofurther purport her claims: the sighting of ghosts. Without thisstrange occurrence, there would be no foundation for the rest ofher hysterical behavior. The unusual thing about these ghosts wasthat only the governess could see them. This leads me to think thatthe only possible explanation for her paranormal experiences ishallucinations. Visual hallucinations are very common inschizophrenia, and they only reinforce the symptoms that follow.Having thought she’d seen actual ghosts, the governess’ mentalstate only continued to deteriorate. In the end, her paranoiamanifested in a violent manner: she posed a threat to Flora’shealth and she actually killed Miles. Ironically, the woman whothought that she was the only hope for the children actuallymanaged to psychologically torture them. Those who live withschizophrenics are familiar with the distress that is caused bythose affected by this illness. Who is to blame for the turning ofthe screw? I maintain that the culprit was simply the brainchemistry of the governess herself, augmented by a catalyst likeromance literature.
The Yellow Wallpaper
There’s no question that the woman in The Yellow Wallpapereventually succumbs to madness. Personally, I suspect postpartumpsychosis, but I digress. I intend to address an entirely differentmatter within the text: feminist themes. In this short story, theprotagonist, named Jane, is sent to live by herself in a roomcovered in yellow wallpaper because her husband (John), aphysician, holds the opinion that rest and confinement can treather “temporary nervous depression”. Though it is suggested that thecause of her condition is a result of a recent pregnancy, it isludicrous for anyone – especially a medical professional – tosuggest isolation as a treatment of any disorder containing theword “depression.”
Jane silently expresses her apprehensiveness to her husbandsapproach by saying “Personally, I disagree with their ideas.Personally, I believe that congenial work, with excitement andchange, would do me good” (Yellow Wallpaper, **). She wouldn’t darevocalize her doubts because of gender roles in that time period. Infact, she submits to his every whim because the society that shehas the misfortune of living in happens to be barbaricallychauvinistic in nature. Men were considered to be more rational andsuited for working while women were regarded as fragile – prone toneurotic behavior.
The most disturbing fact about this relationship is that Johnactually doubts that there is anything wrong with his wife. This,to me, illustrates a lack of trust and respect on his behalf. Ifanything will provoke negative feelings in someone who issuffering, it’s the absence of support (especially from family) andthe solitude to reflect upon this fact. Jane must suppress heremotions because there is no system of understanding between thecouple and the norm of the culture is to adhere to the rules set bythe man of the house. She (along with most of the women during thistime) have been brainwashed into depriving herself of anything thatwould displease their spouse. John is hardly concerned about hiswife’s emotional state; instead of being there for her during adifficult time, he is more zealous about his own prerogative.
In the time that Jane spends by herself, her resentment for thistreatment is projected upon the yellow wallpaper that surroundsher. With no other stimulus, she studies the wallpaper scornfullyand creates a history for the people who were unlucky enough toshare this room in the past. Instead of confronting John (though itwould seem to be futile), she directs her hatred toward the patternscrawled upon the walls. Through unmolested rumination, she focusesall of her attention on the wallpaper, developing fantastic ideasabout the substance of this pattern. She becomes consumed with thewallpaper, becoming increasingly unstable, until finally she has apsychotic episode. One could argue that perhaps this is an epiphany– a realization that she no longer has to be subservient. Jane ripsthe wallpaper off of the wall and laps around the room in acreeping manner. In a final image of a woman overcoming adversity,she responds to the fainting of her husband by walking over hislimp body.
*Both texts were available online and I used them instead of buyingthe book. If you’re looking for a specific quote that I’ve cited,you can use the CTRL+F function to search the page for it.
Works Cited
** Gilman, Charlotte. "The Yellow Wallpaper." Gilman, The YellowWallpaper. 28 April 2009 .
* James, Henry. "James, Henry . The Turn of the Screw." The Turn ofthe Screw. Electronic Text Center, University of Virginia Library.28 April 2009 .
Analysis of The Yellow Wallpaper/Turn of the Screw
http://www.youtube.com/user/bagles
http://www.youtube.com/user/bagles
check out my dance videos
Contempt for a Season… or Lack Thereof
If spring offers hope,
Then I hope it comes quicker.
I’ve searched far and wide,
But the trees are all withered.
I sought out a blossom-
A beacon in winter.
Though all I can see
Is a desolate future.
===============================
Criminal Indifference
Why would someone kill themselves
With years left in their lives?
How could someone be so selfish
To submit into their strife?
I knew a guy, some years ago,
Who couldn’t take the pain.
He’d waste away in meditation,
Slowly fade through rumination,
Trapped in passive introspection,
Sitting on his porch.
How could God just leave him there
With avolition and underwear?
I wish I recognized this burden and offered him some help.
An unrelenting melancholy crippled him each day
Until the gloaming manifested in a macabre way.
Alas, this outcast saw no fruit by simply yearning;
We could have saved his life had we just been a bit
discerning.
============================
what is pantheism?
My life could be a reverie:
A wicked sadist makes me real.
Or perhaps this is a comedy,
And I am at the wheel.
I don’t know why I’m here,
Or that I really am.
I could live my life in fear
That this world is just a sham.
I know that I can feel.
It matters not if I’m alone.
My gospel is appreciation –
Not who holds the throne.
Contempt for a Season… or Lack Thereof
If spring offers hope,
Then I hope it comes quicker.
I’ve searched far and wide,
But the trees are all withered.
I sought out a blossom-
A beacon in winter.
Though all I can see
Is a desolate future.
===============================
Criminal Indifference
Why would someone kill themselves
With years left in their lives?
How could someone be so selfish
To submit into their strife?
I knew a guy, some years ago,
Who couldn’t take the pain.
He’d waste away in meditation,
Slowly fade through rumination,
Trapped in passive introspection,
Sitting on his porch.
How could God just leave him there
With avolition and underwear?
I wish I recognized this burden and offered him some help.
An unrelenting melancholy crippled him each day
Until the gloaming manifested in a macabre way.
Alas, this outcast saw no fruit by simply yearning;
We could have saved his life had we just been a bitdiscerning.
============================
what is pantheism?
My life could be a reverie:
A wicked sadist makes me real.
Or perhaps this is a comedy,
And I am at the wheel.
I don’t know why I’m here,
Or that I really am.
I could live my life in fear
That this world is just a sham.
I know that I can feel.
It matters not if I’m alone.
My gospel is appreciation –
Not who holds the throne.
bunchajunk i wrote for class
Of the vast amount of questions one can themselves within a
lifetime, one in particular seems to be the most important. If a
satisfying answer can never be found, the person will surely live
in despair. The question, of course, is “Why do I exist?” It seems
like it would be at the forefront of any sentient being’s mind, but
people may often find it complex and overwhelming. This
metaphysical query can sit latently in the back of the mind for a
while, but it will certainly be evoked in the face of challenging
times. I surmise that the adult protagonist of The Road often found
himself asking this very question on a daily basis as he barely
managed to get through the trials of a post-apocalyptic life.
The possible answers for this question directly reflect the vast
amount of people asking it and the unique lifestyles that they
lead. Some may lean towards the idea that life exists so that we
may indulge in our hedonistic desires. In this case, I highly doubt
that the man in The Road thrived on the pleasures of life. Others
may offer a less radical view that life is simply an opportunity to
experience and feel. Though less of a stretch, I maintain that the
protagonist is simply too deprived of positive events to merit such
a worldview. The religious will tell you that life is about
pleasing your deity and possibly evangelizing. Again, I can hardly
imagine this man as a missionary – holding onto his dear life in
hope that he might convert a lost soul on the road or preach of
God’s blessings.
The most realistic conclusion that the man could have come to is
that he exists for the welfare of his son. His wife expressed these
same sentiments by telling him that he wouldn’t survive for
himself. The boy was his “world entire,” and he confessed that he
would want to die if his son was stripped from him. I can say with
little doubt that the man would kill himself or at least cease
efforts to live if his son were to die. The man exists to
propagate; to nurture and instruct his child so that he will grow
up to be a healthy and possibly happy adult. Perhaps in earlier
days, the man lived by a different philosophy, but I believe that
once he became a father his values changed. Not only was he left as
the sole guardian of his child, but he had to provide for him in a
world of ashes and decay. His good intentions for the future of his
boy manifest into willpower, and he appears to be optimistic – if
only to encourage his son and inspire hope.
By no means am I trying to oversimplify the thought processes of
the man. I think he sees the glass half full, regardless of who
he’s trying to reassure or what condition the world is in. His
perseverance is extraordinary, and he exhibits more mental
conditioning than most of the people remaining. Despite the
decreasingly low amount of food sources, he commits to his values
and never stoops to cannibalism. He instills this ideology in his
child, and refers to “the fire” as a physical symbol of this system
of living. I’ve considered the fire as an embodiment of hope in the
past, but now I see it more as a benevolent lifestyle. The concept
of the fire may have seemed abstract to the tracker when the boy
first asked him if he was carrying it. However, the tracker managed
to relate with this somewhat universal theme and essentially told
the boy that he was one of the good guys. When I hear of “the
fire,” the image of the Olympics immediately comes to mind, and I
think of the worldwide unity associated with carrying the torch and
participating in the games. One could even speculate that the
Olympics or something similar provided the man with the necessary
analogy.
Ultimately, the man realized his purpose and did everything in his
power to prepare his son for the difficult journey ahead. If he
thought his child had no hope to survive, he probably wouldn’t have
passed away in the night. He might have tried to hang on longer or
leave the world with him, but it would be uncharacteristic of him.
He pressed on, and so will his legacy.
Of the vast amount of questions one can themselves within alifetime, one in particular seems to be the most important. If asatisfying answer can never be found, the person will surely livein despair. The question, of course, is “Why do I exist?” It seemslike it would be at the forefront of any sentient being’s mind, butpeople may often find it complex and overwhelming. Thismetaphysical query can sit latently in the back of the mind for awhile, but it will certainly be evoked in the face of challengingtimes. I surmise that the adult protagonist of The Road often foundhimself asking this very question on a daily basis as he barelymanaged to get through the trials of a post-apocalyptic life.
The possible answers for this question directly reflect the vastamount of people asking it and the unique lifestyles that theylead. Some may lean towards the idea that life exists so that wemay indulge in our hedonistic desires. In this case, I highly doubtthat the man in The Road thrived on the pleasures of life. Othersmay offer a less radical view that life is simply an opportunity toexperience and feel. Though less of a stretch, I maintain that theprotagonist is simply too deprived of positive events to merit sucha worldview. The religious will tell you that life is aboutpleasing your deity and possibly evangelizing. Again, I can hardlyimagine this man as a missionary – holding onto his dear life inhope that he might convert a lost soul on the road or preach ofGod’s blessings.
The most realistic conclusion that the man could have come to isthat he exists for the welfare of his son. His wife expressed thesesame sentiments by telling him that he wouldn’t survive forhimself. The boy was his “world entire,” and he confessed that hewould want to die if his son was stripped from him. I can say withlittle doubt that the man would kill himself or at least ceaseefforts to live if his son were to die. The man exists topropagate; to nurture and instruct his child so that he will growup to be a healthy and possibly happy adult. Perhaps in earlierdays, the man lived by a different philosophy, but I believe thatonce he became a father his values changed. Not only was he left asthe sole guardian of his child, but he had to provide for him in aworld of ashes and decay. His good intentions for the future of hisboy manifest into willpower, and he appears to be optimistic – ifonly to encourage his son and inspire hope.
By no means am I trying to oversimplify the thought processes ofthe man. I think he sees the glass half full, regardless of whohe’s trying to reassure or what condition the world is in. Hisperseverance is extraordinary, and he exhibits more mentalconditioning than most of the people remaining. Despite thedecreasingly low amount of food sources, he commits to his valuesand never stoops to cannibalism. He instills this ideology in hischild, and refers to “the fire” as a physical symbol of this systemof living. I’ve considered the fire as an embodiment of hope in thepast, but now I see it more as a benevolent lifestyle. The conceptof the fire may have seemed abstract to the tracker when the boyfirst asked him if he was carrying it. However, the tracker managedto relate with this somewhat universal theme and essentially toldthe boy that he was one of the good guys. When I hear of “thefire,” the image of the Olympics immediately comes to mind, and Ithink of the worldwide unity associated with carrying the torch andparticipating in the games. One could even speculate that theOlympics or something similar provided the man with the necessaryanalogy.
Ultimately, the man realized his purpose and did everything in hispower to prepare his son for the difficult journey ahead. If hethought his child had no hope to survive, he probably wouldn’t havepassed away in the night. He might have tried to hang on longer orleave the world with him, but it would be uncharacteristic of him.He pressed on, and so will his legacy.
Paper I wrote about The Road by Cormac McCarthy
As the three of us made our way across the busy Raleigh
Road-Glendale intersection on a bright and cloudless day about
seven or eight years ago, we exchanged looks of paranoia, and
simultaneously wondered if we’d be caught in the act. Though it was
my idea to steal the aluminum bench sitting in a pile of discarded
furniture behind Forest Hills Middle School, Chris and Steven
agreed to help me do it. After all, if they wanted to skate on it,
they’d have to be my accomplices in this improvised heist of epic
proportions. As far as I was concerned, this was the Thomas Crown
Affair of middle school standards. It took two of us to carry the
eight-foot bench across the highway, and even more effort to keep
from dropping our bikes that we wheeled at our sides.
Earlier in the robbery, Chris and I suspected that Steven had
surely suffered a blow that would render him unable to carry the
bench any farther. This occurred when Steven offered to be the sole
carrier of the bench and proceeded to hoist the aluminum frame
perpendicular to his chest like a cross, unaware of the mailbox
that would soon clothesline him. As he fell backwards off of his
bicycle, he simply laughed and loaded the prize over his shoulder
as to avoid any more roadside hindrances. I was surprised that he
persevered after such an accident, but his reaction reflected his
enduring nature- the nature that had earned him the nickname,
“Beast.” I was glad that he volunteered to carry the bench, for he
was larger than Chris or me, and more coordinated on a
bicycle.
After hustling across the busy street and entering my neighborhood,
we grew eager to return to my house, and regarded it as a home
base. We were more than halfway there, and only a few blocks
remained before we could safely drop this metallic burden in my
yard to skate upon. As we approached the house of one of the more
infamous characters of my neighborhood, Fetus, we looked to see if
he was outside; as we were sure he would be impressed with our
catch. Only months before had he retrieved the piece of plywood
that we carried back from a construction site, claiming that it was
the property of himself and his equally notorious friend, Jacob. He
was nowhere to be seen, but as I turned to look at his house, I
caught a glimpse of a police cruiser out of the corner of my
eye.
As the cop turned onto the street, we began to pick up our pace,
knowing that my house was just over the hill. Steven was
understandably worried, being the carrier of the bench, and began
to express a great deal of stress by repeating that the cops were
going to harass him because he was black. I tried to reassure him
that perhaps the cruiser was traveling down this road out of
coincidence, but as I finished my sentence, the dreaded blue lights
came on, and the car pulled up next to Steven, who had already
abandoned his bike and dropped the bench. Sure enough, an obese
female officer got out of the car and commanded that Steven assume
the position as she placed cuffs over his wrists. Chris and I
froze, possibly contemplating the feasibility of escaping the
situation, but we ultimately ended up sitting on the curb with
Steven in front of Fetus’ house.
As we surveyed the houses lining the street, we kept our eyes
peeled for nosey neighbors that would potentially report this to
our parents. It was of no matter, though; within minutes backup had
arrived for whatever ridiculous reason, and we were blurting out
our addresses without hesitation. My friends were almost in tears,
and Chris was especially worried, as he wasn’t even allowed to
cross the highway in the first place. I maintained the same
composure that I always keep when confronted with law enforcement,
even to this day: helpless and concerned, yet scheming. As I sat on
the curb and thought of the punishment to come for stealing, I
began to devise an excuse that could save me from the wrath of my
fundamentally Christian mother.
My ability to provide good analogies was still undeveloped, and to
this day Chris will remind me of how I tried to compare stealing
the bench to stealing a pinecone. However, I remembered that this
whole escapade was the result of a decision to continue this theft
after previously abandoning the bench in the tall grass behind the
school the night before. I quickly assured the officers that we
found the bench discarded in the grass surrounding a cul-de-sac
near the school, and they decided to let me prove my claims. The
conditions of our immediate future relied on showing Wilson’s
finest that the grass behind the school lay flat where the bench
was originally found.
As we hopped on our bikes and once again loaded the bench onto
Steven’s shoulder, we crossed the highway, followed by a procession
of four police cars. We were mostly amused by this, and relieved
that the disturbed grass would be our source of salvation.
Retracing our path, we speculated that one of the houses we
originally passed must have harbored busybodies with nothing better
to do on the weekend than to report the shenanigans of kids that
corrupt their pleasant neighborhood.
Finally approaching the site of our treasure’s origin, we pointed
through the reeds towards the patch of flat grass that extended
eight feet. The officers reluctantly dismissed us, and suggested
that we consult the school if we wanted to take used equipment off
of their hands. We were proud of our ability to deceive the law
enforcement that day, and we took our youth for granted. I miss the
days where just being a mischievous kid excused me from the
penalties that would plague an adult.
As the three of us made our way across the busy RaleighRoad-Glendale intersection on a bright and cloudless day aboutseven or eight years ago, we exchanged looks of paranoia, andsimultaneously wondered if we’d be caught in the act. Though it wasmy idea to steal the aluminum bench sitting in a pile of discardedfurniture behind Forest Hills Middle School, Chris and Stevenagreed to help me do it. After all, if they wanted to skate on it,they’d have to be my accomplices in this improvised heist of epicproportions. As far as I was concerned, this was the Thomas CrownAffair of middle school standards. It took two of us to carry theeight-foot bench across the highway, and even more effort to keepfrom dropping our bikes that we wheeled at our sides.
Earlier in the robbery, Chris and I suspected that Steven hadsurely suffered a blow that would render him unable to carry thebench any farther. This occurred when Steven offered to be the solecarrier of the bench and proceeded to hoist the aluminum frameperpendicular to his chest like a cross, unaware of the mailboxthat would soon clothesline him. As he fell backwards off of hisbicycle, he simply laughed and loaded the prize over his shoulderas to avoid any more roadside hindrances. I was surprised that hepersevered after such an accident, but his reaction reflected hisenduring nature- the nature that had earned him the nickname,“Beast.” I was glad that he volunteered to carry the bench, for hewas larger than Chris or me, and more coordinated on abicycle.
After hustling across the busy street and entering my neighborhood,we grew eager to return to my house, and regarded it as a homebase. We were more than halfway there, and only a few blocksremained before we could safely drop this metallic burden in myyard to skate upon. As we approached the house of one of the moreinfamous characters of my neighborhood, Fetus, we looked to see ifhe was outside; as we were sure he would be impressed with ourcatch. Only months before had he retrieved the piece of plywoodthat we carried back from a construction site, claiming that it wasthe property of himself and his equally notorious friend, Jacob. Hewas nowhere to be seen, but as I turned to look at his house, Icaught a glimpse of a police cruiser out of the corner of myeye.
As the cop turned onto the street, we began to pick up our pace,knowing that my house was just over the hill. Steven wasunderstandably worried, being the carrier of the bench, and beganto express a great deal of stress by repeating that the cops weregoing to harass him because he was black. I tried to reassure himthat perhaps the cruiser was traveling down this road out ofcoincidence, but as I finished my sentence, the dreaded blue lightscame on, and the car pulled up next to Steven, who had alreadyabandoned his bike and dropped the bench. Sure enough, an obesefemale officer got out of the car and commanded that Steven assumethe position as she placed cuffs over his wrists. Chris and Ifroze, possibly contemplating the feasibility of escaping thesituation, but we ultimately ended up sitting on the curb withSteven in front of Fetus’ house.
As we surveyed the houses lining the street, we kept our eyespeeled for nosey neighbors that would potentially report this toour parents. It was of no matter, though; within minutes backup hadarrived for whatever ridiculous reason, and we were blurting outour addresses without hesitation. My friends were almost in tears,and Chris was especially worried, as he wasn’t even allowed tocross the highway in the first place. I maintained the samecomposure that I always keep when confronted with law enforcement,even to this day: helpless and concerned, yet scheming. As I sat onthe curb and thought of the punishment to come for stealing, Ibegan to devise an excuse that could save me from the wrath of myfundamentally Christian mother.
My ability to provide good analogies was still undeveloped, and tothis day Chris will remind me of how I tried to compare stealingthe bench to stealing a pinecone. However, I remembered that thiswhole escapade was the result of a decision to continue this theftafter previously abandoning the bench in the tall grass behind theschool the night before. I quickly assured the officers that wefound the bench discarded in the grass surrounding a cul-de-sacnear the school, and they decided to let me prove my claims. Theconditions of our immediate future relied on showing Wilson’sfinest that the grass behind the school lay flat where the benchwas originally found.
As we hopped on our bikes and once again loaded the bench ontoSteven’s shoulder, we crossed the highway, followed by a processionof four police cars. We were mostly amused by this, and relievedthat the disturbed grass would be our source of salvation.Retracing our path, we speculated that one of the houses weoriginally passed must have harbored busybodies with nothing betterto do on the weekend than to report the shenanigans of kids thatcorrupt their pleasant neighborhood.
Finally approaching the site of our treasure’s origin, we pointedthrough the reeds towards the patch of flat grass that extendedeight feet. The officers reluctantly dismissed us, and suggestedthat we consult the school if we wanted to take used equipment offof their hands. We were proud of our ability to deceive the lawenforcement that day, and we took our youth for granted. I miss thedays where just being a mischievous kid excused me from thepenalties that would plague an adult.
non-fiction story i wrote for class
A black widow spider resides in the niche behind my light switch. I
recently learned that Lucifer is translated to mean “Bringer of
Light.” Therefore, I have named my arachnid flat mate after the
devil himself. The bite of a black widow can kill a man, but in
these days it rarely does. The only victims are the young, the old,
and the weak. Anti-venom is available, and it saves all but a mere
five percent of victims. The Native Americans revered the spider,
and there is a Cherokee legend of how Grandmother Spider caught the
Sun in a clay pot and brought it back to the other side of the
world for all of the other animals to enjoy. The spider was in
essence The Bringer of Light.
A common argument in debates regarding predestination is the
statement that God gives us a choice instead of making us his blind
slaves. If this is true, why did God originally deprive us of this
liberty when he created Adam and Eve and told them not to eat from
the tree of knowledge of good and evil? Eventually, Eve was seduced
by Lucifer, and “tricked” into enlightenment. Who is the true
savior here?
A black widow spider resides in the niche behind my light switch. Irecently learned that Lucifer is translated to mean “Bringer ofLight.” Therefore, I have named my arachnid flat mate after thedevil himself. The bite of a black widow can kill a man, but inthese days it rarely does. The only victims are the young, the old,and the weak. Anti-venom is available, and it saves all but a merefive percent of victims. The Native Americans revered the spider,and there is a Cherokee legend of how Grandmother Spider caught theSun in a clay pot and brought it back to the other side of theworld for all of the other animals to enjoy. The spider was inessence The Bringer of Light.
A common argument in debates regarding predestination is thestatement that God gives us a choice instead of making us his blindslaves. If this is true, why did God originally deprive us of thisliberty when he created Adam and Eve and told them not to eat fromthe tree of knowledge of good and evil? Eventually, Eve was seducedby Lucifer, and “tricked” into enlightenment. Who is the truesavior here?
3 AM a month ago