Her journal posts
Aug 2, 2010
Although my lack of ink made manliness is still a factor, I have
just been informed that I draw women the way a man would draw
them...
so yes...
optimistic view: I have a little of both in that talent
smoothie
pessimistic view: I suck at drawing, and if I wish to pursue it
I should go knock on hentai's door. If this is the case, please
replace the rope with a tentacle or something similar and give me
1000000 dollars.
http://spookshowbabyx.deviantart.com/#/d2veoxs
The end. For real this time.
Although my lack of ink made manliness is still a factor, I havejust been informed that I draw women the way a man would drawthem...
so yes...
optimistic view: I have a little of both in that talentsmoothie
pessimistic view: I suck at drawing, and if I wish to pursue itI should go knock on hentai's door. If this is the case, pleasereplace the rope with a tentacle or something similar and give me1000000 dollars.
http://spookshowbabyx.deviantart.com/#/d2veoxs
The end. For real this time.
Men, women and little boys, an update
Jul 30, 2010
I should not draw men.
I can not draw men.
When I draw men they look like girls. I can't NOT add effeminate
features!
My men look like women or little children!... With beards!!!
Just thought I would share this woe....
Take a look for yourself!
http://spookshowbabyx.deviantart.com/#/d2v7paf
oh and point numero dos: when I draw laughter, it looks like
pain....
the end.
I should not draw men.
I can not draw men.
When I draw men they look like girls. I can't NOT add effeminatefeatures!
My men look like women or little children!... With beards!!!
Just thought I would share this woe....
Take a look for yourself!
http://spookshowbabyx.deviantart.com/#/d2v7paf
oh and point numero dos: when I draw laughter, it looks likepain....
the end.
Men, Women and little boys
Feb 28, 2008
Twenty years ago, Jenah said:
‘People… most people anyway, do not take well to being
gassed’
All these years later, after all dreams realized and failed, after
births, deaths, barmitsvahs and that most unfortunate pie-eating…
incident… when the subject of my childhood is brought up, I
immediately think of Jenah; black lipstick smudged around her
mouth, toy wings with their straps cutting into the dirty flesh at
her shoulders, and Jenah said:
‘People…most people anyway, do not take well to being
gassed’.
*
And so we sit, my husband and I.
Teddy shoves mouthfuls of mashed potatoes saturated with gravy into
the great cavernous hole in his face. A steaming heap of the stuff
falls onto his chest and dribbles slowly through the black
wire-hairs trailing down his gut.
I hate him more than ever.
The ever present stench of chemicals I am doused in does nothing to
cover the smell of the salt and oil I can see glistening in that
gravy skid mark clinging to his stomach.
I still wear my lab coat; reluctant to let go of my one shred of
cleanliness from the outside world. The coat might suggest to some
unknown observer that I do not belong here, in this shithole with
this pig of a man. I have often fantasized of such an observer; a
clean-shaven man in a suit, perhaps with a mild case of OCD, and he
crashes into this kitchen and whisks me away from this….
this.
My anally retentive Prince Charming.
Teddy burp-sneezes; large chunks of partially masticated sausage
spraying onto the white front of my coat.
And like that… like that my husband of eight years signed his death
warrant.
*
It was during my second year at university, while sitting in on
chemistry 101 that I received the second most important piece of
information I ever would. Jenah Bailey stood at the podium far
below me in the great hall, telling the semi-conscious class the
dangers of mixing Coco Pops with B-class explosives. My childhood
neighbour was an average professor; commanding attention with her
tits rather than tips. However, for the second time, Jenah was
about to divulge a piece of life changing information. Second year,
chemistry 101, Dr Jenah said:
‘Pure naivety alone is to toy with death. Take for example the
potentially fatal reaction when ammonia and bleach or any other
chlorine based chemical come into contact; creating a gas
molecularly similar to that used in the First World War but each of
you owns the components…’
From one of the front rows I heard a whistle as Jenah bent over to
retrieve something from her briefcase. Jenah’s rolling eyes matched
my own, as she brought the lecture to a close.
She asked if there were any questions.
I asked her where ammonia would be found
Jenah said:
‘It’s everywhere in small doses, in the atmosphere, in fertilizer,
even urine’
The boy-man next to me snickered and asked if she would give us a
demonstration under his breath.
Chemistry 101, Jenah said:
‘Potentially fatal’.
*
I sit bent over the toilet bowl. I can see the shape of my face
reflected murkily back at me. I sigh and start scooping at the
water with my coffee mug, depositing it into the tub to my right.
The smell invades my air; tainting my oxygen with the stench of
Teddy. I remove as much water as I can before refilling the bowl
with bleach. This new violation to my senses makes me gag, and I
turn sharply and dry heave over the tub, staggering out the room
fast and closing the door.
*
By the time Teddy squeezes himself through the front door I’m
ready. His jaw drops slack, giving me a money-shot view of the
fillings at the back of his dirty mouth. I force my mouth to smile-
all teeth- and turn round slowly to give him the pervert’s view of
my naked ass as I walk to the kitchen in what I hope is a seductive
manner.
I offer him the bottle of wine and he licks his lips with his
slug-tongue in what is most definitely not a seductive
manner.
After the first bottle he looks ready to drop into a glutinous
heap, but I urge him to take another glass and another sip. I tell
him a sexy stream of lies and coax him to improve the rouge already
deep at his cheeks.
*
Jenah was drunk. She no longer taught at the university. She no
longer did much at all. I had tried to creep past her when I
recognized the sad hunched figure at the Kings Arms pub, but she
had hailed me over.
We sat there for a long time. Jenah drank and talked and I breathed
and listened. Jenah lamented her current situation, she despised
her children that had stopped calling and her dog had been put down
after the discovery of a cancerous tumour. Jenah could see me
getting bored. She changed track and talked chemistry, appealing to
my interests. I nodded politely to the incoherent torrent of facts.
Jenah swallowed the last of her wine and turned to me, one eye half
closed.
Jenah said:
‘Heh… I’ve got l-large amounts of ammonia in my piss now after that
sh-shitload of wine…. You know… like you asked? Ammonia? I know
all…. About it’
She began to cry and recite the periodic table as I paid the bill
and crept on out.
*
Teddy is still lying on top of me, his sweat draining into my
pores. I grimace in the dark and wait desperately for him to stir.
I wait for his bladder to demand attention. After twenty minutes it
happens.
Teddy rolls off me and stumbles over to the bathroom, dick ready in
hand. I creep after him. Silent. I wait for him to close the door.
I listen through the crack between wall and wood as the piss starts
to stream into the toilet bowl. I grab the chair next to the bed
and jam it hard under the doorknob, immediately going on to push
his discarded jeans against the crack under the door. I push and
shove hard, knowing my survival hangs on this simple task.
From inside the bathroom I hear the first retch.
I watch the doorknob rattle; the door shaking in its frame.
‘What the…’
I sit on the edge of the bed and wait.
‘Baby! Something’s wrong… wake up! Shit, Baby, help me out here, I
think the doors stuck!’
More coughing. Wet.
‘Baby!! Help me!’
‘No’
‘What?!’
‘No’
The hacking is seriously congested now. A loud thud confirms that
the bastard is now on his knees.
‘Bitch! What the fuck!?...What are you… talking… about..?’
I remain silent and revel in the splattering rain of the dying. I
sit motionless until my silence is reflected on the other side. And
then I sit a little longer. Enjoying myself for the first time
since I uttered ‘I do’.
To hell I did.
And then I stand, and I open the window.
I open all the windows.
Jenah’s obituary said: she had suffocated after forgetting to air
the room she was working in.
Twenty years ago, Jenah said:
‘People… most people anyway, do not take well to beinggassed’
All these years later, after all dreams realized and failed, afterbirths, deaths, barmitsvahs and that most unfortunate pie-eating…incident… when the subject of my childhood is brought up, Iimmediately think of Jenah; black lipstick smudged around hermouth, toy wings with their straps cutting into the dirty flesh ather shoulders, and Jenah said:
‘People…most people anyway, do not take well to beinggassed’.
*
And so we sit, my husband and I.
Teddy shoves mouthfuls of mashed potatoes saturated with gravy intothe great cavernous hole in his face. A steaming heap of the stufffalls onto his chest and dribbles slowly through the blackwire-hairs trailing down his gut.
I hate him more than ever.
The ever present stench of chemicals I am doused in does nothing tocover the smell of the salt and oil I can see glistening in thatgravy skid mark clinging to his stomach.
I still wear my lab coat; reluctant to let go of my one shred ofcleanliness from the outside world. The coat might suggest to someunknown observer that I do not belong here, in this shithole withthis pig of a man. I have often fantasized of such an observer; aclean-shaven man in a suit, perhaps with a mild case of OCD, and hecrashes into this kitchen and whisks me away from this….this.
My anally retentive Prince Charming.
Teddy burp-sneezes; large chunks of partially masticated sausagespraying onto the white front of my coat.
And like that… like that my husband of eight years signed his deathwarrant.
*
It was during my second year at university, while sitting in onchemistry 101 that I received the second most important piece ofinformation I ever would. Jenah Bailey stood at the podium farbelow me in the great hall, telling the semi-conscious class thedangers of mixing Coco Pops with B-class explosives. My childhoodneighbour was an average professor; commanding attention with hertits rather than tips. However, for the second time, Jenah wasabout to divulge a piece of life changing information. Second year,chemistry 101, Dr Jenah said:
‘Pure naivety alone is to toy with death. Take for example thepotentially fatal reaction when ammonia and bleach or any otherchlorine based chemical come into contact; creating a gasmolecularly similar to that used in the First World War but each ofyou owns the components…’
From one of the front rows I heard a whistle as Jenah bent over toretrieve something from her briefcase. Jenah’s rolling eyes matchedmy own, as she brought the lecture to a close.
She asked if there were any questions.
I asked her where ammonia would be found
Jenah said:
‘It’s everywhere in small doses, in the atmosphere, in fertilizer,even urine’
The boy-man next to me snickered and asked if she would give us ademonstration under his breath.
Chemistry 101, Jenah said:
‘Potentially fatal’.
*
I sit bent over the toilet bowl. I can see the shape of my facereflected murkily back at me. I sigh and start scooping at thewater with my coffee mug, depositing it into the tub to my right.The smell invades my air; tainting my oxygen with the stench ofTeddy. I remove as much water as I can before refilling the bowlwith bleach. This new violation to my senses makes me gag, and Iturn sharply and dry heave over the tub, staggering out the roomfast and closing the door.
*
By the time Teddy squeezes himself through the front door I’mready. His jaw drops slack, giving me a money-shot view of thefillings at the back of his dirty mouth. I force my mouth to smile-all teeth- and turn round slowly to give him the pervert’s view ofmy naked ass as I walk to the kitchen in what I hope is a seductivemanner.
I offer him the bottle of wine and he licks his lips with hisslug-tongue in what is most definitely not a seductivemanner.
After the first bottle he looks ready to drop into a glutinousheap, but I urge him to take another glass and another sip. I tellhim a sexy stream of lies and coax him to improve the rouge alreadydeep at his cheeks.
*
Jenah was drunk. She no longer taught at the university. She nolonger did much at all. I had tried to creep past her when Irecognized the sad hunched figure at the Kings Arms pub, but shehad hailed me over.
We sat there for a long time. Jenah drank and talked and I breathedand listened. Jenah lamented her current situation, she despisedher children that had stopped calling and her dog had been put downafter the discovery of a cancerous tumour. Jenah could see megetting bored. She changed track and talked chemistry, appealing tomy interests. I nodded politely to the incoherent torrent of facts.Jenah swallowed the last of her wine and turned to me, one eye halfclosed.
Jenah said:
‘Heh… I’ve got l-large amounts of ammonia in my piss now after thatsh-shitload of wine…. You know… like you asked? Ammonia? I knowall…. About it’
She began to cry and recite the periodic table as I paid the billand crept on out.
*
Teddy is still lying on top of me, his sweat draining into mypores. I grimace in the dark and wait desperately for him to stir.I wait for his bladder to demand attention. After twenty minutes ithappens.
Teddy rolls off me and stumbles over to the bathroom, dick ready inhand. I creep after him. Silent. I wait for him to close the door.I listen through the crack between wall and wood as the piss startsto stream into the toilet bowl. I grab the chair next to the bedand jam it hard under the doorknob, immediately going on to pushhis discarded jeans against the crack under the door. I push andshove hard, knowing my survival hangs on this simple task.
From inside the bathroom I hear the first retch.
I watch the doorknob rattle; the door shaking in its frame.
‘What the…’
I sit on the edge of the bed and wait.
‘Baby! Something’s wrong… wake up! Shit, Baby, help me out here, Ithink the doors stuck!’
More coughing. Wet.
‘Baby!! Help me!’
‘No’
‘What?!’
‘No’
The hacking is seriously congested now. A loud thud confirms thatthe bastard is now on his knees.
‘Bitch! What the fuck!?...What are you… talking… about..?’
I remain silent and revel in the splattering rain of the dying. Isit motionless until my silence is reflected on the other side. Andthen I sit a little longer. Enjoying myself for the first timesince I uttered ‘I do’.
To hell I did.
And then I stand, and I open the window.
I open all the windows.
Jenah’s obituary said: she had suffocated after forgetting to airthe room she was working in.
more 'creative' writing
May 13, 2007
Pepper yells at the sleeping lump, tornado-punching it to try and
wake the rodent within.
Nothing but pillows.
Pepper feels hands on her arms and kicks savagely at the air.
/Shut up!/
Mustard manages to cup her mouth and hiss at her. She wears black
as usual.
The dress gone. Donned by the crazed black-haired creature.
/Whats going on?!/
/Jen/
/...what?/
/Quiet and follow me/
*
Mustard kicks open the window and drags Pepper out onto the
balcony.
They are one floor up and the grass below is winter-brittle
crispy.
Mustard swings herself over the railings, grabbing the foot of the
iron bars so that she is only four feet of the ground and lets
go.
/Hurry!/
/This is insane! Shes not a fucking monster!/
More glass smashes and haughty cackles seep up to their outside
refuge like cancerous smoke.
Pepper follows Mustard down and they sprint on carpets of frosty
grass.
/Well, what now then?.. What happened to taking care of it?/
Mustard clenches her teeth, grinding fangs and grabs Peppers wrist
at the last second, hurling her into a shed that Pepper could have
sworn was previously invisible.
*
/Whats going on, Mustard? What is she doing here?/
/Taking care of something/
/Man, what IS this?/
/Its an axe/
Mustard thrusts a heavy murder-obscure object, but Pepper drops it,
smashing it into the floor.
/And this is a scythe/
Curved silver flashes around the dark, whistling through the hushed
air and disappears.
*
/Whats your plan then? Howd you figure youd sort this one out? Im
guessing sane suggestions such as calling for the crazy lady to be
evacuated from your property are out of the question?/
/Im doing this her way/
/And you figured youd invite me along why?/
/Well, I figured shed be doing drag shows in Vegas/
/...that would have been more entertaining... unfortunately, right
now, you and I are in a sticky situation, and Im dying to hear your
solution/
/We play her game/
/Im sorry... I dont think I heard what you just said
correctly/
Mustard disintegrates. Pepper snatches at the air but there truly
is no substantial matter left.
The only proof of Mustards recent presence is the diminishing
whistle of a curved blade slicing the air.
/Alright...two crazy ladies with blades... Bring it on/
*
Pepper stalks back to the house, kicking open the front door and
converting her angry-fear into death-stares.
/Mustard?!/
/In here/
Pepper storms into the living room and stumble-stops, blinking
confusedly.
A woman sits in the large leather armchair, her dress red and torn
up at the thighs, one leg crossed over the other. Marlboro Red in
suicide-crimson lips.
/...you!/
/Pepper! How nice to meet you, however unfortunate the
circumstances may seem/
She smiles and sliver-scars cross grotesquely from either side of
her mouth.
/Charmed/
/What are you girlies doing here then?/
/Well, Mustard thought itd be fun for us all to play a game of hide
and go seek/
/I see/
/Seems its your turn to be it/
/I should probably explain the rules then/
*
Pepper grins facelessly
/I know how to play/
/Oh, my rules are very different and make the game so much more
interesting/
/Now, Jen, we all play by the same rules or its not fair/
Blue eyes under black mist flash dangerously
/Youd better get running, I get bored of counting very
quickly/
/And when you find me??/
/Why ruin the best bit?/
/Just wondering, you know, in case you didnt find me/
/I will find you/
*
The house seems to bubble and crumble and its molecular stability
seems questionable.
Pepper wonders how a mansion can look so huge and yet have nowhere
to hide.
The doors to sanity have been locked.
The other doors gape open like ravenous jaws.
The door opposite the goddess bedroom screams and she darts
inside.
The walls are concrete.
The floors are concrete.
Its cold. Too cold. Somewhere a tap drips.
Pepper smells something rotten and the iron shackles on the wall
gleam with rust.
*
Footsteps. Pepper freaks and tries to find an exit, but only the
door she came in through exists.
And the steps are tripping nearer.
She runs and pulls the door shut with a force that hurls her to the
cold damp floor.
Silence.
/Little pig, little pig, please let me come in/
Oh, shed play this game alright
/Not by the hairs of my chinny chin chin!/
Laughter. Beautiful, happy, mirthless laughter.
/Well, then Ill huff and Ill puff, and Ill BLOW YOUR HOUSE
DOWN!/
Pepper falls down as a curved blade splinters through the heavy
wood door, catching her shoulder.
*
Pepper pain-grinds on the floor, clutching at the red glass leaking
from her arm.
Its just raspberry coulee!
She stands up and backs away from the door
/You bitch!/
The door creaks open and Jen stands against the frame, fingering
her hair
/Who...me?/
/Ill get you!/
/You cant get me... just try it and see!/
/Oh quit kidding yourself! Youre not as ethereal as you like to
think; youre nothing but flesh and bone!/
*
Jens face confuse-contorts
What is this? She doesnt understand. She still thinks shes
magic.
She still holds a blade.
She runs at pepper, once more smiling, once more happy.
Happiness is power. Ecstasy is control.
A crack thunders, coating them in needle-sharp vibrations.
Jen cartwheels to the far side of the room and collides with the
wall.
Mustard stands in the doorway holding a long leather cord.
/How do you like it!?/
Jen bares her fangs and screams to her feet but fails onto her
hands and knees
*
Pepper darts beside her and snatches up the blade into her own
strong grip.
For a second the anger in Jens face leaves her blank and ugly, and
then the tears start bleeding and she coughs fitfully
/Please! You cant do this! You cant kill me…. You love me!/
Mustard shakes her head as pepper cackles, clutching her
wound
/Please dont, Mustard! Dont you see? Give me a chance! You love
me... you love me! YOU LOVE ME!/
Mustard falls to her knees beside Jen and cradles her close.
/No. I hate you. I hate you with every drop of blood that courses
through this body you tried to destroy. I hate you with my
blackened lungs and my eroding liver. I hate you with every twist
of my deluded mind/
/But... youre my baby!/
/And youre a cruel, cold bitch, escaped from some work of fiction I
pity those who have read/
*
Jen sinks into herself, weeping imaginary feelings.
Crying for the Baftas, the Oscars, the Emmys. Overshadowing these
petty support actresses.
Mustards own bones seem suddenly hollow and she bites her lip
angrily.
Taking her chance, Jen springs forward. A slash of silver and
Mustard crumbles.
Pepper forces hilt of the blade into Jens stomach and she cries
out, motionless.
Mustard rolls over, seething anger and black.
Razor blade taped to the back of the neck.
That damn old trick.
She wipes the blood from her cheek and grabs Jens hands; forcing
them into the shackles on the wall.
Pepper clicks the heavy metal shut and pulls Mustard to her
feet.
*
Mustard pulls out the last syringe and Jens eyes tremble with
water,
Its not real tears. Just excess salt.
/And whats my death to be? I saw what you did to Cris. Very nice.
Youre a talented girl, Mustard, but you feel too much/
/Shut up/
/Go on then! Paralyze me! Bleed me!/
Mustard shakes her head, pressing a finger to Jens lips
/Honey, Im not gonna paralyze you/
Pepper blinks from her front row seat. She and Jen are momentarily
conjoined in confusion.
Mustard loads the vial, licking her fingers as the residue trickles
down.
Enough smack to stop the heart of a mule.
*
Pepper grimaces as she watches Mustards uncharacteristically steady
fingers empty the syringe into dirty veins.
Mustard watches as Jens eyes close and tears spill down her
hideously mistreated face.
Mustard rises and starts to arrange the room.
The needle is still submerged in Jens flesh, swaying as she moves,
her eyes trained on it, whimpering. She tries to get it out but she
has no hands. She looks up at Pepper, pleading for help, but Pepper
shakes her head, transfixed.
Hard light falls on Jens face, illuminating silver scars, gray
complexion, feverish cold sweat.
Mustard switches on a hazy light and angles it so that Jen is a
shuddering silhouette.
*
As the color begins to drain from Jens face, Pepper kneels down and
watches her with hard eyes.
A tattoo visible on Jens graying thigh reads; you look so messy
when you dress up in dreams
The needle still erect in Jens skin loses support and flicks out
onto the floor, splitter-splattering Pepper in dark red
blood.
Pepper shudders and smears the foreign liquid away off her
face.
Mustard has finished arranging the set and she takes a strip of
brown stained material off a hook on the wall.
Jen separates her lips slightly in exhausted instinct and Mustard
ties the rag at the back of her dark hair.
Reaching into the shadows, she smiles, there’s a flash of silver
and Mustard falls on top of Jen, holding her tight as the rag
drenches red and Jens body shakes and stops.
Dark blood leaks from Jens crudely pierced heart. Scarlet dreams
seep from sliced open ribs onto Mustards corseted abdomen.
The scythe lies next to Mustard. Red.
Pepper picks it up and hangs it from the hook on the wall.
*
Pepper and Mustard sit on the old railway tracks. They write their
names in the dirt.
They compose breathtaking poetry.
Pepper sketches the meaning of life.
Mustard draws a cure for cancer.
They eat Chinese out of cardboard take-out cartons.
They sing nonsense and smile subliminal irrationality.
The sun begins to go down and somewhere a life is lost with the
fragility of a fraying thread.
Somewhere a baby is being conceived.
Somewhere a heart is broken. Somewhere a proposal is made.
Right there and then, the air is stationary and light.
Right then and there they are singing, Lord.
Kumbaya
They are laughing, Lord
Kumbaya
They are living, Lord
Kumbaya.
Pepper yells at the sleeping lump, tornado-punching it to try andwake the rodent within.
Nothing but pillows.
Pepper feels hands on her arms and kicks savagely at the air.
/Shut up!/
Mustard manages to cup her mouth and hiss at her. She wears blackas usual.
The dress gone. Donned by the crazed black-haired creature.
/Whats going on?!/
/Jen/
/...what?/
/Quiet and follow me/
*
Mustard kicks open the window and drags Pepper out onto thebalcony.
They are one floor up and the grass below is winter-brittlecrispy.
Mustard swings herself over the railings, grabbing the foot of theiron bars so that she is only four feet of the ground and letsgo.
/Hurry!/
/This is insane! Shes not a fucking monster!/
More glass smashes and haughty cackles seep up to their outsiderefuge like cancerous smoke.
Pepper follows Mustard down and they sprint on carpets of frostygrass.
/Well, what now then?.. What happened to taking care of it?/
Mustard clenches her teeth, grinding fangs and grabs Peppers wristat the last second, hurling her into a shed that Pepper could havesworn was previously invisible.
*
/Whats going on, Mustard? What is she doing here?/
/Taking care of something/
/Man, what IS this?/
/Its an axe/
Mustard thrusts a heavy murder-obscure object, but Pepper drops it,smashing it into the floor.
/And this is a scythe/
Curved silver flashes around the dark, whistling through the hushedair and disappears.
*
/Whats your plan then? Howd you figure youd sort this one out? Imguessing sane suggestions such as calling for the crazy lady to beevacuated from your property are out of the question?/
/Im doing this her way/
/And you figured youd invite me along why?/
/Well, I figured shed be doing drag shows in Vegas/
/...that would have been more entertaining... unfortunately, rightnow, you and I are in a sticky situation, and Im dying to hear yoursolution/
/We play her game/
/Im sorry... I dont think I heard what you just saidcorrectly/
Mustard disintegrates. Pepper snatches at the air but there trulyis no substantial matter left.
The only proof of Mustards recent presence is the diminishingwhistle of a curved blade slicing the air.
/Alright...two crazy ladies with blades... Bring it on/
*
Pepper stalks back to the house, kicking open the front door andconverting her angry-fear into death-stares.
/Mustard?!/
/In here/
Pepper storms into the living room and stumble-stops, blinkingconfusedly.
A woman sits in the large leather armchair, her dress red and tornup at the thighs, one leg crossed over the other. Marlboro Red insuicide-crimson lips.
/...you!/
/Pepper! How nice to meet you, however unfortunate thecircumstances may seem/
She smiles and sliver-scars cross grotesquely from either side ofher mouth.
/Charmed/
/What are you girlies doing here then?/
/Well, Mustard thought itd be fun for us all to play a game of hideand go seek/
/I see/
/Seems its your turn to be it/
/I should probably explain the rules then/
*
Pepper grins facelessly
/I know how to play/
/Oh, my rules are very different and make the game so much moreinteresting/
/Now, Jen, we all play by the same rules or its not fair/
Blue eyes under black mist flash dangerously
/Youd better get running, I get bored of counting veryquickly/
/And when you find me??/
/Why ruin the best bit?/
/Just wondering, you know, in case you didnt find me/
/I will find you/
*
The house seems to bubble and crumble and its molecular stabilityseems questionable.
Pepper wonders how a mansion can look so huge and yet have nowhereto hide.
The doors to sanity have been locked.
The other doors gape open like ravenous jaws.
The door opposite the goddess bedroom screams and she dartsinside.
The walls are concrete.
The floors are concrete.
Its cold. Too cold. Somewhere a tap drips.
Pepper smells something rotten and the iron shackles on the wallgleam with rust.
*
Footsteps. Pepper freaks and tries to find an exit, but only thedoor she came in through exists.
And the steps are tripping nearer.
She runs and pulls the door shut with a force that hurls her to thecold damp floor.
Silence.
/Little pig, little pig, please let me come in/
Oh, shed play this game alright
/Not by the hairs of my chinny chin chin!/
Laughter. Beautiful, happy, mirthless laughter.
/Well, then Ill huff and Ill puff, and Ill BLOW YOUR HOUSEDOWN!/
Pepper falls down as a curved blade splinters through the heavywood door, catching her shoulder.
*
Pepper pain-grinds on the floor, clutching at the red glass leakingfrom her arm.
Its just raspberry coulee!
She stands up and backs away from the door
/You bitch!/
The door creaks open and Jen stands against the frame, fingeringher hair
/Who...me?/
/Ill get you!/
/You cant get me... just try it and see!/
/Oh quit kidding yourself! Youre not as ethereal as you like tothink; youre nothing but flesh and bone!/
*
Jens face confuse-contorts
What is this? She doesnt understand. She still thinks shesmagic.
She still holds a blade.
She runs at pepper, once more smiling, once more happy.
Happiness is power. Ecstasy is control.
A crack thunders, coating them in needle-sharp vibrations.
Jen cartwheels to the far side of the room and collides with thewall.
Mustard stands in the doorway holding a long leather cord.
/How do you like it!?/
Jen bares her fangs and screams to her feet but fails onto herhands and knees
*
Pepper darts beside her and snatches up the blade into her ownstrong grip.
For a second the anger in Jens face leaves her blank and ugly, andthen the tears start bleeding and she coughs fitfully
/Please! You cant do this! You cant kill me…. You love me!/
Mustard shakes her head as pepper cackles, clutching herwound
/Please dont, Mustard! Dont you see? Give me a chance! You loveme... you love me! YOU LOVE ME!/
Mustard falls to her knees beside Jen and cradles her close.
/No. I hate you. I hate you with every drop of blood that coursesthrough this body you tried to destroy. I hate you with myblackened lungs and my eroding liver. I hate you with every twistof my deluded mind/
/But... youre my baby!/
/And youre a cruel, cold bitch, escaped from some work of fiction Ipity those who have read/
*
Jen sinks into herself, weeping imaginary feelings.
Crying for the Baftas, the Oscars, the Emmys. Overshadowing thesepetty support actresses.
Mustards own bones seem suddenly hollow and she bites her lipangrily.
Taking her chance, Jen springs forward. A slash of silver andMustard crumbles.
Pepper forces hilt of the blade into Jens stomach and she criesout, motionless.
Mustard rolls over, seething anger and black.
Razor blade taped to the back of the neck.
That damn old trick.
She wipes the blood from her cheek and grabs Jens hands; forcingthem into the shackles on the wall.
Pepper clicks the heavy metal shut and pulls Mustard to herfeet.
*
Mustard pulls out the last syringe and Jens eyes tremble withwater,
Its not real tears. Just excess salt.
/And whats my death to be? I saw what you did to Cris. Very nice.Youre a talented girl, Mustard, but you feel too much/
/Shut up/
/Go on then! Paralyze me! Bleed me!/
Mustard shakes her head, pressing a finger to Jens lips
/Honey, Im not gonna paralyze you/
Pepper blinks from her front row seat. She and Jen are momentarilyconjoined in confusion.
Mustard loads the vial, licking her fingers as the residue tricklesdown.
Enough smack to stop the heart of a mule.
*
Pepper grimaces as she watches Mustards uncharacteristically steadyfingers empty the syringe into dirty veins.
Mustard watches as Jens eyes close and tears spill down herhideously mistreated face.
Mustard rises and starts to arrange the room.
The needle is still submerged in Jens flesh, swaying as she moves,her eyes trained on it, whimpering. She tries to get it out but shehas no hands. She looks up at Pepper, pleading for help, but Peppershakes her head, transfixed.
Hard light falls on Jens face, illuminating silver scars, graycomplexion, feverish cold sweat.
Mustard switches on a hazy light and angles it so that Jen is ashuddering silhouette.
*
As the color begins to drain from Jens face, Pepper kneels down andwatches her with hard eyes.
A tattoo visible on Jens graying thigh reads; you look so messywhen you dress up in dreams
The needle still erect in Jens skin loses support and flicks outonto the floor, splitter-splattering Pepper in dark redblood.
Pepper shudders and smears the foreign liquid away off herface.
Mustard has finished arranging the set and she takes a strip ofbrown stained material off a hook on the wall.
Jen separates her lips slightly in exhausted instinct and Mustardties the rag at the back of her dark hair.
Reaching into the shadows, she smiles, there’s a flash of silverand Mustard falls on top of Jen, holding her tight as the ragdrenches red and Jens body shakes and stops.
Dark blood leaks from Jens crudely pierced heart. Scarlet dreamsseep from sliced open ribs onto Mustards corseted abdomen.
The scythe lies next to Mustard. Red.
Pepper picks it up and hangs it from the hook on the wall.
*
Pepper and Mustard sit on the old railway tracks. They write theirnames in the dirt.
They compose breathtaking poetry.
Pepper sketches the meaning of life.
Mustard draws a cure for cancer.
They eat Chinese out of cardboard take-out cartons.
They sing nonsense and smile subliminal irrationality.
The sun begins to go down and somewhere a life is lost with thefragility of a fraying thread.
Somewhere a baby is being conceived.
Somewhere a heart is broken. Somewhere a proposal is made.
Right there and then, the air is stationary and light.
Right then and there they are singing, Lord.
Kumbaya
They are laughing, Lord
Kumbaya
They are living, Lord
Kumbaya.
Peppermint and Mustardseed part 4
May 13, 2007
*
Pepper swirls around buyers and sellers, smiles and eyes, a tall
glass of pink champagne in her hand.
She talks to old rich men and stands in front of orange-skinned
blonde dolls, blocking their fake dazzles as she, the mad-hatter,
takes centre stage.
She stalks a good-looking suit and detours back to her own
works.
The glass is half full.
*
Mustard sniffs the stale air nostalgically.
She grins at the three amber Jack Daniels bottles.
The lids are missing but the bottles remain half full, the smell an
obscure perfume.
She passes the living room, spotting an ashtray of wasted
cigarettes; just the ends burnt for incense.
It seems she is not alone in suffering nostalgia.
She carries on to the back-room where she can hear the murmur of
electrical voices.
Cris sits asleep, dreaming of the distorted faces on the television
set.
Mustard pulls the plug as her own face swims by and it disappears
into the abyss.
*
Cris stirs but remains unconscious to the rooms new occupant and
Mustard slowly circles him and climbs into his lap.
Shrunken eyelids flitter-flutter.
Mustard ties her silk scarf around his arm, above the elbow until a
vein emerges.
Taking out her needle she renders him paralyzed. Vulnerable.
She plugs the television back in and pries open his eyes. He
watches her and then her image as she climbs back into his
lap.
She cuts his wrists and guides them above his head.
Pushing his head back, his mouth gaping open she holds his dripping
arms above his jaws until his lips overflow and his breathing gags
to an eternal halt.
*
Pepper scowls at a woman in a red dress standing by the door,
tossing back black hair.
A waiter comes by with tall glasses balancing on a silver platter
and the woman takes two.
One for each hand.
She disappears and Peppers glass is empty.
Cue Mustard, tip-tapping in, smiling and dressy.
She takes two glasses.
One for each hand
But when she finds Pepper she hands her a glass so that they are
just two bodies normal-drinking in harsh white strobe lights.
*
Morning shows its ugly head and the artists disperse to dream of
Van Gough.
Pepper packs away her remaining works, a number of cheques in her
right shoe.
Mustard stands against the wall licking red supposedly raspberry
coulee off her hand.
She bends down to adjust her shoes and the lights reflect off
raspberry stains on her dress.
Pepper watched and then resumes packing.
/Whoever you borrowed that dress off might not be happy/
/Whys that/
/You managed to stain it, and reds not really your color/
/Itll be ok; fortunately this particular shade suits the owner
perfectly/
*
Pepper and Mustard sit in their pyjamas, eating breakfast in the
claw foot bath.
Its three in the afternoon.
They’ve dragged the television set into the bathroom and they watch
twisted cartoons.
Pepper gasses about the night before the morning after while
Mustard listens, fixated on the screen.
/You still havent told me what you were doing while I was with
Vixen/
/I was seeing Amber/
/Oh... how is she?/
/Busy/
/What did you want from her?/
/Some stuff I couldnt get over the counter at the local
pharmacy/
/Oh/
*
Laughing, Mustard pulls a dress off the railings and holds it
against herself, pouting.
They are both lopsided, wearing shoes of varying heights.
Wearing layer upon layer of quality gauze, lace and velvet.
Pepper wears a top made entirely of black laced webbing over a pair
of Hard Rock cheerleading pants. One green heel, one red
boot.
Mustard wears a yellow wedding dress under a velvet cape with
red-silk lining.
Stiletto and sneaker.
Jens wardrobe unlocked. The white goddess-fit bedroom strewn with
millions in material.
Mustard hop-clunks downstairs to put on music.
Pepper pulls a full layered floor-length skirt from a top shelf,
pulling down a dusted picture frame.
The glass cracks. A spider web over the face of a woman in a red
dress.
*
Pepper flicks through songs on the old juke-box, watching Mustards
skirts and hair fly as she attacks the giant-sized trampoline in
the yard.
Pepper feels suddenly aware of the grotesque obesity of the house,
sitting in one of its many chambers.
This concrete beating heart.
She turns back to the window and mustard is gone.
She hears excessive creaking, mumbling, cracking, until finally the
screech is loud and close as the doorknob turns.
Mustard is stood, red in face from the cold, red in a dress Pepper
just cant place.
/Look what I found/
/Its nice/
/Nice?! Its bloody Gucci, now all my dreams will come true/
*
/Whered you find that dress?/
/On my bed/
/...who put it there?/
/You did/
/I didnt/
/Leprechauns then/
/You dont find that strange?/
/Youve never lived in this house/
Pumping, laughing, beating, cancerous heart.
*
/When are we going home?/
Pepper sits on the kitchen table eating rice out the pan for
breakfast.
Mustard sits on the work surface, stirring coffee, still wearing
the red dress, obscenely creased.
/Soon, I have one more thing to take care of/
/The last thing you took care of happens to be on CNN by the
way/
/What makes you think I did that?/
/No prints, thousands of suspects, sadistically familiar/
/You flatter me/
/You scare me/
/You love me really/
/Ha! What choice do I have?! I happen to like being alive, its much
more convenient/
/Couldnt agree more/
*
Pepper edges out of bed, trying to guess if Mustard is asleep or
pretending, but Mustard remains motionless, snuggle-engulfed
completely by blanket.
Pepper drinks from the tap in the icy bathroom before stumbling
back to bed.
She screams.
A crouched figure in a red dress is crouched at the top of the
stairs with a knife, long hair falling over her face
/Mustard?/
The figure laughs and flees down the stairs at a ghostly
speed.
A crash echoes from upstairs.
*
*
Pepper swirls around buyers and sellers, smiles and eyes, a tallglass of pink champagne in her hand.
She talks to old rich men and stands in front of orange-skinnedblonde dolls, blocking their fake dazzles as she, the mad-hatter,takes centre stage.
She stalks a good-looking suit and detours back to her ownworks.
The glass is half full.
*
Mustard sniffs the stale air nostalgically.
She grins at the three amber Jack Daniels bottles.
The lids are missing but the bottles remain half full, the smell anobscure perfume.
She passes the living room, spotting an ashtray of wastedcigarettes; just the ends burnt for incense.
It seems she is not alone in suffering nostalgia.
She carries on to the back-room where she can hear the murmur ofelectrical voices.
Cris sits asleep, dreaming of the distorted faces on the televisionset.
Mustard pulls the plug as her own face swims by and it disappearsinto the abyss.
*
Cris stirs but remains unconscious to the rooms new occupant andMustard slowly circles him and climbs into his lap.
Shrunken eyelids flitter-flutter.
Mustard ties her silk scarf around his arm, above the elbow until avein emerges.
Taking out her needle she renders him paralyzed. Vulnerable.
She plugs the television back in and pries open his eyes. Hewatches her and then her image as she climbs back into hislap.
She cuts his wrists and guides them above his head.
Pushing his head back, his mouth gaping open she holds his drippingarms above his jaws until his lips overflow and his breathing gagsto an eternal halt.
*
Pepper scowls at a woman in a red dress standing by the door,tossing back black hair.
A waiter comes by with tall glasses balancing on a silver platterand the woman takes two.
One for each hand.
She disappears and Peppers glass is empty.
Cue Mustard, tip-tapping in, smiling and dressy.
She takes two glasses.
One for each hand
But when she finds Pepper she hands her a glass so that they arejust two bodies normal-drinking in harsh white strobe lights.
*
Morning shows its ugly head and the artists disperse to dream ofVan Gough.
Pepper packs away her remaining works, a number of cheques in herright shoe.
Mustard stands against the wall licking red supposedly raspberrycoulee off her hand.
She bends down to adjust her shoes and the lights reflect offraspberry stains on her dress.
Pepper watched and then resumes packing.
/Whoever you borrowed that dress off might not be happy/
/Whys that/
/You managed to stain it, and reds not really your color/
/Itll be ok; fortunately this particular shade suits the ownerperfectly/
*
Pepper and Mustard sit in their pyjamas, eating breakfast in theclaw foot bath.
Its three in the afternoon.
They’ve dragged the television set into the bathroom and they watchtwisted cartoons.
Pepper gasses about the night before the morning after whileMustard listens, fixated on the screen.
/You still havent told me what you were doing while I was withVixen/
/I was seeing Amber/
/Oh... how is she?/
/Busy/
/What did you want from her?/
/Some stuff I couldnt get over the counter at the localpharmacy/
/Oh/
*
Laughing, Mustard pulls a dress off the railings and holds itagainst herself, pouting.
They are both lopsided, wearing shoes of varying heights.
Wearing layer upon layer of quality gauze, lace and velvet.
Pepper wears a top made entirely of black laced webbing over a pairof Hard Rock cheerleading pants. One green heel, one redboot.
Mustard wears a yellow wedding dress under a velvet cape withred-silk lining.
Stiletto and sneaker.
Jens wardrobe unlocked. The white goddess-fit bedroom strewn withmillions in material.
Mustard hop-clunks downstairs to put on music.
Pepper pulls a full layered floor-length skirt from a top shelf,pulling down a dusted picture frame.
The glass cracks. A spider web over the face of a woman in a reddress.
*
Pepper flicks through songs on the old juke-box, watching Mustardsskirts and hair fly as she attacks the giant-sized trampoline inthe yard.
Pepper feels suddenly aware of the grotesque obesity of the house,sitting in one of its many chambers.
This concrete beating heart.
She turns back to the window and mustard is gone.
She hears excessive creaking, mumbling, cracking, until finally thescreech is loud and close as the doorknob turns.
Mustard is stood, red in face from the cold, red in a dress Pepperjust cant place.
/Look what I found/
/Its nice/
/Nice?! Its bloody Gucci, now all my dreams will come true/
*
/Whered you find that dress?/
/On my bed/
/...who put it there?/
/You did/
/I didnt/
/Leprechauns then/
/You dont find that strange?/
/Youve never lived in this house/
Pumping, laughing, beating, cancerous heart.
*
/When are we going home?/
Pepper sits on the kitchen table eating rice out the pan forbreakfast.
Mustard sits on the work surface, stirring coffee, still wearingthe red dress, obscenely creased.
/Soon, I have one more thing to take care of/
/The last thing you took care of happens to be on CNN by theway/
/What makes you think I did that?/
/No prints, thousands of suspects, sadistically familiar/
/You flatter me/
/You scare me/
/You love me really/
/Ha! What choice do I have?! I happen to like being alive, its muchmore convenient/
/Couldnt agree more/
*
Pepper edges out of bed, trying to guess if Mustard is asleep orpretending, but Mustard remains motionless, snuggle-engulfedcompletely by blanket.
Pepper drinks from the tap in the icy bathroom before stumblingback to bed.
She screams.
A crouched figure in a red dress is crouched at the top of thestairs with a knife, long hair falling over her face
/Mustard?/
The figure laughs and flees down the stairs at a ghostlyspeed.
A crash echoes from upstairs.
*
Peppermint and Mustardseed part 3
May 13, 2007
right. well. may as well use this site to post work on, I know
thats what sites like livejournal are for but that would mean
signing up... eh, youll do... this is a story Im working on a
proper version thats a lot better, this is just a small piece i
wrote thats based on the future... well what COULD be the future
lol. its written in odd paragraphs because i used it for
photography and the stars are where there were pictures...
characters are based on us. enjoy (not for people who get offended
by blood, overly cynical rodents or cacti... you have been
warned)... (Mustard=me...)... NARG i have to take out all the
apostrophes or it looks odd.. my grammer isnt really THAT awful...
i promise:S
~.~
Friday thirteenth and of course theres thunder. And
lightning.
Unlucky for some, but it makes the pavements all sparkle-shiny and
there are imaginary stars on the floor.
Solitary wisps of smoke curl out of the highest window of the
tallest building over looking the rain-shimmer roads.
Pepper stares at the city through a kaleidoscope and sees greens
and blues and reds.
She is crouched on the balcony railing; a living breathing gargoyle
over the city.
Mustard sits on a white water-soggy deck-chair wearing Mickey Mouse
sunglasses.
Marlboro Red in suicide-crimson lips.
*
The television gray-fuzzes and burble-blasts quietly in the
corner.
Foreign take-out food rests in boxes on tables.
Pepper and Mustard lie on the floor and look up at the
ceiling.
The ceiling is the color of burnt mushrooms
The room is filled with smoke and the bitter sweet smell of
alcohol
The clock tick-tocks loudly and both get up, ready for night.
The door click-locks shut and they vampire-glide down the
doom-gloomy stairs.
*
Music vibrates off cellar walls as a million bodies jerk to its
waves.
Mustard sits at the bar with iced vodka, nibbling the flesh off
olives.
Pepper flies around the dancers, lights flying off rainbow
hair.
Eyes of other bodies flicker-meet with hers and she winks and
laughs and evaporates.
The strangers are interesting with their lack of emotional
substance.
No backgrounds, no history, just dancers in flish-flashing
lights.
Mustard swallows ice and walks away from the bar and into the pit
of movement, her movements disjointed by strobe lights.
Just two pairs of outlined eyes, gray and blue and so many
others.
Pepper leaves with a pair of brown eyes and Mustard returns to the
bar, invisible, just body matter in a crowd of flesh and bones and
blood.
*
Pepper plucks the metal guitar strings fast and flawless.
The microphone makes the song loud and it washes over the
room.
The words make Mustard laugh as she sits behind the drum-kit and
her noise is made a thousand times louder by her own
microphone.
Pepper jumps around, her chord deafeningly awful and grins at the
rodent with drumsticks.
The words are nonsense words to the empty room, but tangy tributes
to people that blend along in life and made impressions worthy of
song.
The eyes of the club owner and some techies search the room as they
await a regain of composure, but the laughing is endless.
*
The room is covered in art. In paint and clay and paper and plaster
and glue and sequins and glass and stone and metal and plastic and
spray-can smelling air.
Pepper sits in the very centre of the room.
Pages are scattered all around and pinned on the walls.
All art. All substance. All recorded thought.
A paintbrush behind each ear and one in her mouth, she manipulates
the metal into new shapes and being.
These are the pieces that have yet to be sold. These are the
bedroom keepsakes.
For it was a bedroom, distinguishable by a bed pushed up against
the wall. Covered in colors.
The money pieces are in the studio down the block.
And they are money pieces. Good money.
*
Mustard sits in the shadow casted by the tall oak tree, blocking
out the moon.
Muscles cramp-painful from sitting immobile for an amount of
time.
She shiver-shakes her eyes nervously over the park.
Footsteps.
Climbing into the tree, Mustard stops breathing as a tall figure
walks below her.
The figure is unconscious to her being and passes on down the
path.
Mustard counts his ridiculously loud steps until he is a distant
shadow and flies from the tree to the floor. Silently.
She slowly starts casual-gliding after the shadow man.
The moon glows but she wears black corsets and coats. Invisible
bat.
*
Pepper and Mustard sit in the widow of Starbucks on the bustling
main street. Coffees in front of them. Sweet and sour.
Pepper runs her pen over creased paper with liquid speed and looks
up at Mustard for input.
Mustard drags deeply on rolled tobacco and shrugs, eye-glittering
as ideas surface.
The songs have no structure or reason.
Pepper will pick out the chords and they will work instantaneously.
The beat of the drums will shape them. Music is art. Structure is
irrelevant.
Occasionally there is pause in which life-snippets are swapped and
chewed and masticated about.
There is much more laughter coming from their area than others.
Always more laughter. Mixing sarcasm and wit and general stupidity
with intelligence is an art in itself.
*
The man has a blue suit on which emits wealth and Pepper watches
intensely as he marches from one painting to another.
She sees he is an upright man so she shows him upright
paintings.
The money he hands her is iron-crisp and so she puts his purchase
in a crease free bag.
He nods to her and twitches his lips, so she twitches back.
The art of people-reading.
Not as easy as it seems.
*
Mustard slips the credit card down the crack in the door.
The lock springs open, silently.
She floats into the room she decides is a kitchen and picks up an
apple.
She bites into it and the noise is loud
The silence in the house is suddenly buzzing and she breathes
quicker, heart rate higher.
There are no pictures on the walls. No artefacts. No
personality.
This is the right house.
She ascends the stairs and stalks down the hallway. Leather boots
making their leathery sound but otherwise silence.
*
Pepper turns the key in the lock and enters the apartment.
On the table she sees yellow paper and a thermos with a bag
bursting with sugar beside it.
An old joke. No longer funny. But important tradition all the
same.
The coffee in the thermos is cold.
The note warns her that this may be so, but that the thought is
what counted, so Pepper takes a quick complimentary sip
anyway.
The note reads: out. Dont wait up. Maybe late. Made you coffee.
Probably cold.
Pepper turns on the stereo and smokes lazily on the sofa before
taking off paint splattered Converse and closes her eyes.
She doesnt wait up.
*
Mustard opens the door with military precision and smiles as it
becomes a wide black mouth.
She can make out a bed. And a body.
From her coat she removes complimentary items.
A syringe with a pre-loaded vial.
A ten inch bladed Japanese straight knife.
Quivering with adrenaline she savage-forces the needle into the
vein under the jawbone she knows is blue.
The body shakes and bucks and rages and then is still. Paralysed.
Staring up into her eyes as she smiles back.
She quarters the torso and sections off the best pieces of meat
from the buttocks. She removes the manhood and tosses it to the
side.
Kissing the bullet-shaped tattoo on the cooling forehead she
leaves.
Gone.
*
The bang of the door wakes Pepper from dreaming and she hisses as
Mustard opens the fridge and removes a carton of milk.
/Ive told you not to drink from the bottle/
Mustard grins cattily and then grimaces, pouring the rest down the
sink.
The splashes are irregular. Congealed.
/Thats off/
Pepper grins back
/I know/
Mustard collapses into the sofa opposite Pepper and turns on the
half-working television, removing her coat.
It glistens with moisture.
Pepper looks out the fogged up window. Its not raining.
/Whats that wet stuff?/
/Blood/
Pepper blinks and then turns back to the television.
/Please dont sit there with that knife, put it away/
Mustard places the knife on the floor and they carry on watching
blurs.
*
/What did you mean; blood?/
/Blood/
/Whos? Yours?/
/Tres/
Pepper blinks and forces eye contact
/Youre serious.../
/Of course/
/Oh/
/What?/
/Nothing... How do you feel?/
/Better/
/...Ok/
/Ok./
*
Pepper sits in the park, strumming the guitar and hum-singing
along.
She wears a top hat with playing cards slipped into a red ribbon
tied at the base.
She amuses herself by looking over the top of red-rimmed glasses at
passers-by.
The old ones smirk; smug at their maturity over the top-hatted,
waist-coated guitarist.
The young ones smile; acknowledging that top hats are hard to pull
off and that music is an art.
The babies pick their noses and suck at their fingers; too
self-absorbed in soiling themselves to pay Pepper any notice.
The strumming of her guitar strings lulling their fat-squishy heads
into sleep.
Some wise-ass throws her money and walks off, gleaming with his own
wit.
Pepper shrugs and pockets the money for coffee and carries on
strumming.
*
Mustard lies on the sofa, spilt ash fizzle-burning the cuff of her
coat.
She watches the television.
Some ugly blonde news reporter stands outside a white house with
dusty windows.
Mustard notes that there is no sign of forced entry; her credit
card slip-sliding trick was well honed.
There are hordes of suspects. A gallery of enemies. A museum of
angry haters.
But no evidence of her. No evidence at all.
No witnesses. No prints.
Mustard half-smiles and runs a gloved hand through red hair.
*
Pepper grimaces at an emaciated Santa with dark circles under his
eyes.
Mustard darts across the street, narrow-dodging honking cars to
join her, mime-grabbing Santas ass.
Pepper grins and throws her copper-change into Santas plastic
bucket as he hiccups thankyous and seasons greetings.
She offers Mustard a newly purchased cigar and the two mafia-puff
down to a snow-soggy bench.
Behind them; an army of mutant snowmen plot to exploit the
city.
*
/Snow sucks/
/-cock/
/That was mature/
/Yeah, I try. Snow is like Santas powdered semen, reminding us that
the holidays are upon us/
/Ive never heard it put that way. You need to get a job instead of
sitting around thinking of...that/
/Like you don’t think up innuendos while painting phallics all
day/
/I dont paint cocks/
/Its so much more fun for me to believe you do though/
/Well... I guess I know what I’m getting you for Christmas/
*
Pepper and Mustard sit, wrapped inside duvets like cheese wrapped
in fajitas.
They lazy-glaze watch the Grinch steal Christmas as they eat apple
pancakes and syrup.
Pepper looks around at the two packages under the cactus.
/Its odd not having a tree/
/Hey!thats what I bought the cactus for/
/Yeah... but its a cactus.../
/You can decorate it if it makes you happy/
Pepper fork-catapults her pancake onto the top of the
Christmas-cactus.
/You wanna open up presents now or were you waiting for
Santa?/
*
Mustard sits cross-legged by the Christmas-cactus, gurgle-gulping
her vodka-snakes contently.
Pepper sits wide-eyed on the other side, watching Mustard through a
web of spikes.
/Is this a joke?/
/No./
/Two tickets to America and its not a joke?!/
/Well, one is for me/
/Right. But... I’m gonna have to get you another bottle of vodka
arent I./
/That would be much appreciated, now go pack a bag/
/But my work-/
/Took care of it/
/Oh. I thought Id known you for too long to get surprised./
/What, Im not allowed to buy expensive presents?/
/No thats fine. Just didnt think you had the sense to take care of
things./
/Watch it or Ill throw you out the plane/
/Do it over the Mediterranean if possible./
/I'm not detouring to throw you off the plane/
*
The plane is full of people trying to sleep.
Mustard pokes Pepper repeatedly to keep her awake.
The little boxes they call televisions are not working and the
women with the trolleys with the vodka in miniature bottles are
dreaming of land over by the cock-pit.
/Hey, what did the blonde say when she spilt cheerios out the box
onto the floor?/
Pepper turns slowly to give Mustard her please-leave-me-alone
look
/Look!!! Donut-seeds!/
Pepper lets out a hiccup-giggle as Mustard collapses into
tornado-loud hysterics.
Around them, angry eyes blurry-open and mouths snarl.
/shhh, youre keeping the sleeping beauties awake/
/So bite me!/
*
right. well. may as well use this site to post work on, I knowthats what sites like livejournal are for but that would meansigning up... eh, youll do... this is a story Im working on aproper version thats a lot better, this is just a small piece iwrote thats based on the future... well what COULD be the futurelol. its written in odd paragraphs because i used it forphotography and the stars are where there were pictures...characters are based on us. enjoy (not for people who get offendedby blood, overly cynical rodents or cacti... you have beenwarned)... (Mustard=me...)... NARG i have to take out all theapostrophes or it looks odd.. my grammer isnt really THAT awful...i promise:S
~.~
Friday thirteenth and of course theres thunder. Andlightning.
Unlucky for some, but it makes the pavements all sparkle-shiny andthere are imaginary stars on the floor.
Solitary wisps of smoke curl out of the highest window of thetallest building over looking the rain-shimmer roads.
Pepper stares at the city through a kaleidoscope and sees greensand blues and reds.
She is crouched on the balcony railing; a living breathing gargoyleover the city.
Mustard sits on a white water-soggy deck-chair wearing Mickey Mousesunglasses.
Marlboro Red in suicide-crimson lips.
*
The television gray-fuzzes and burble-blasts quietly in thecorner.
Foreign take-out food rests in boxes on tables.
Pepper and Mustard lie on the floor and look up at theceiling.
The ceiling is the color of burnt mushrooms
The room is filled with smoke and the bitter sweet smell ofalcohol
The clock tick-tocks loudly and both get up, ready for night.
The door click-locks shut and they vampire-glide down thedoom-gloomy stairs.
*
Music vibrates off cellar walls as a million bodies jerk to itswaves.
Mustard sits at the bar with iced vodka, nibbling the flesh offolives.
Pepper flies around the dancers, lights flying off rainbowhair.
Eyes of other bodies flicker-meet with hers and she winks andlaughs and evaporates.
The strangers are interesting with their lack of emotionalsubstance.
No backgrounds, no history, just dancers in flish-flashinglights.
Mustard swallows ice and walks away from the bar and into the pitof movement, her movements disjointed by strobe lights.
Just two pairs of outlined eyes, gray and blue and so manyothers.
Pepper leaves with a pair of brown eyes and Mustard returns to thebar, invisible, just body matter in a crowd of flesh and bones andblood.
*
Pepper plucks the metal guitar strings fast and flawless.
The microphone makes the song loud and it washes over theroom.
The words make Mustard laugh as she sits behind the drum-kit andher noise is made a thousand times louder by her ownmicrophone.
Pepper jumps around, her chord deafeningly awful and grins at therodent with drumsticks.
The words are nonsense words to the empty room, but tangy tributesto people that blend along in life and made impressions worthy ofsong.
The eyes of the club owner and some techies search the room as theyawait a regain of composure, but the laughing is endless.
*
The room is covered in art. In paint and clay and paper and plasterand glue and sequins and glass and stone and metal and plastic andspray-can smelling air.
Pepper sits in the very centre of the room.
Pages are scattered all around and pinned on the walls.
All art. All substance. All recorded thought.
A paintbrush behind each ear and one in her mouth, she manipulatesthe metal into new shapes and being.
These are the pieces that have yet to be sold. These are thebedroom keepsakes.
For it was a bedroom, distinguishable by a bed pushed up againstthe wall. Covered in colors.
The money pieces are in the studio down the block.
And they are money pieces. Good money.
*
Mustard sits in the shadow casted by the tall oak tree, blockingout the moon.
Muscles cramp-painful from sitting immobile for an amount oftime.
She shiver-shakes her eyes nervously over the park.
Footsteps.
Climbing into the tree, Mustard stops breathing as a tall figurewalks below her.
The figure is unconscious to her being and passes on down thepath.
Mustard counts his ridiculously loud steps until he is a distantshadow and flies from the tree to the floor. Silently.
She slowly starts casual-gliding after the shadow man.
The moon glows but she wears black corsets and coats. Invisiblebat.
*
Pepper and Mustard sit in the widow of Starbucks on the bustlingmain street. Coffees in front of them. Sweet and sour.
Pepper runs her pen over creased paper with liquid speed and looksup at Mustard for input.
Mustard drags deeply on rolled tobacco and shrugs, eye-glitteringas ideas surface.
The songs have no structure or reason.
Pepper will pick out the chords and they will work instantaneously.The beat of the drums will shape them. Music is art. Structure isirrelevant.
Occasionally there is pause in which life-snippets are swapped andchewed and masticated about.
There is much more laughter coming from their area than others.Always more laughter. Mixing sarcasm and wit and general stupiditywith intelligence is an art in itself.
*
The man has a blue suit on which emits wealth and Pepper watchesintensely as he marches from one painting to another.
She sees he is an upright man so she shows him uprightpaintings.
The money he hands her is iron-crisp and so she puts his purchasein a crease free bag.
He nods to her and twitches his lips, so she twitches back.
The art of people-reading.
Not as easy as it seems.
*
Mustard slips the credit card down the crack in the door.
The lock springs open, silently.
She floats into the room she decides is a kitchen and picks up anapple.
She bites into it and the noise is loud
The silence in the house is suddenly buzzing and she breathesquicker, heart rate higher.
There are no pictures on the walls. No artefacts. Nopersonality.
This is the right house.
She ascends the stairs and stalks down the hallway. Leather bootsmaking their leathery sound but otherwise silence.
*
Pepper turns the key in the lock and enters the apartment.
On the table she sees yellow paper and a thermos with a bagbursting with sugar beside it.
An old joke. No longer funny. But important tradition all thesame.
The coffee in the thermos is cold.
The note warns her that this may be so, but that the thought iswhat counted, so Pepper takes a quick complimentary sipanyway.
The note reads: out. Dont wait up. Maybe late. Made you coffee.Probably cold.
Pepper turns on the stereo and smokes lazily on the sofa beforetaking off paint splattered Converse and closes her eyes.
She doesnt wait up.
*
Mustard opens the door with military precision and smiles as itbecomes a wide black mouth.
She can make out a bed. And a body.
From her coat she removes complimentary items.
A syringe with a pre-loaded vial.
A ten inch bladed Japanese straight knife.
Quivering with adrenaline she savage-forces the needle into thevein under the jawbone she knows is blue.
The body shakes and bucks and rages and then is still. Paralysed.Staring up into her eyes as she smiles back.
She quarters the torso and sections off the best pieces of meatfrom the buttocks. She removes the manhood and tosses it to theside.
Kissing the bullet-shaped tattoo on the cooling forehead sheleaves.
Gone.
*
The bang of the door wakes Pepper from dreaming and she hisses asMustard opens the fridge and removes a carton of milk.
/Ive told you not to drink from the bottle/
Mustard grins cattily and then grimaces, pouring the rest down thesink.
The splashes are irregular. Congealed.
/Thats off/
Pepper grins back
/I know/
Mustard collapses into the sofa opposite Pepper and turns on thehalf-working television, removing her coat.
It glistens with moisture.
Pepper looks out the fogged up window. Its not raining.
/Whats that wet stuff?/
/Blood/
Pepper blinks and then turns back to the television.
/Please dont sit there with that knife, put it away/
Mustard places the knife on the floor and they carry on watchingblurs.
*
/What did you mean; blood?/
/Blood/
/Whos? Yours?/
/Tres/
Pepper blinks and forces eye contact
/Youre serious.../
/Of course/
/Oh/
/What?/
/Nothing... How do you feel?/
/Better/
/...Ok/
/Ok./
*
Pepper sits in the park, strumming the guitar and hum-singingalong.
She wears a top hat with playing cards slipped into a red ribbontied at the base.
She amuses herself by looking over the top of red-rimmed glasses atpassers-by.
The old ones smirk; smug at their maturity over the top-hatted,waist-coated guitarist.
The young ones smile; acknowledging that top hats are hard to pulloff and that music is an art.
The babies pick their noses and suck at their fingers; tooself-absorbed in soiling themselves to pay Pepper any notice.
The strumming of her guitar strings lulling their fat-squishy headsinto sleep.
Some wise-ass throws her money and walks off, gleaming with his ownwit.
Pepper shrugs and pockets the money for coffee and carries onstrumming.
*
Mustard lies on the sofa, spilt ash fizzle-burning the cuff of hercoat.
She watches the television.
Some ugly blonde news reporter stands outside a white house withdusty windows.
Mustard notes that there is no sign of forced entry; her creditcard slip-sliding trick was well honed.
There are hordes of suspects. A gallery of enemies. A museum ofangry haters.
But no evidence of her. No evidence at all.
No witnesses. No prints.
Mustard half-smiles and runs a gloved hand through red hair.
*
Pepper grimaces at an emaciated Santa with dark circles under hiseyes.
Mustard darts across the street, narrow-dodging honking cars tojoin her, mime-grabbing Santas ass.
Pepper grins and throws her copper-change into Santas plasticbucket as he hiccups thankyous and seasons greetings.
She offers Mustard a newly purchased cigar and the two mafia-puffdown to a snow-soggy bench.
Behind them; an army of mutant snowmen plot to exploit thecity.
*
/Snow sucks/
/-cock/
/That was mature/
/Yeah, I try. Snow is like Santas powdered semen, reminding us thatthe holidays are upon us/
/Ive never heard it put that way. You need to get a job instead ofsitting around thinking of...that/
/Like you don’t think up innuendos while painting phallics allday/
/I dont paint cocks/
/Its so much more fun for me to believe you do though/
/Well... I guess I know what I’m getting you for Christmas/
*
Pepper and Mustard sit, wrapped inside duvets like cheese wrappedin fajitas.
They lazy-glaze watch the Grinch steal Christmas as they eat applepancakes and syrup.
Pepper looks around at the two packages under the cactus.
/Its odd not having a tree/
/Hey!thats what I bought the cactus for/
/Yeah... but its a cactus.../
/You can decorate it if it makes you happy/
Pepper fork-catapults her pancake onto the top of theChristmas-cactus.
/You wanna open up presents now or were you waiting forSanta?/
*
Mustard sits cross-legged by the Christmas-cactus, gurgle-gulpingher vodka-snakes contently.
Pepper sits wide-eyed on the other side, watching Mustard through aweb of spikes.
/Is this a joke?/
/No./
/Two tickets to America and its not a joke?!/
/Well, one is for me/
/Right. But... I’m gonna have to get you another bottle of vodkaarent I./
/That would be much appreciated, now go pack a bag/
/But my work-/
/Took care of it/
/Oh. I thought Id known you for too long to get surprised./
/What, Im not allowed to buy expensive presents?/
/No thats fine. Just didnt think you had the sense to take care ofthings./
/Watch it or Ill throw you out the plane/
/Do it over the Mediterranean if possible./
/I'm not detouring to throw you off the plane/
*
The plane is full of people trying to sleep.
Mustard pokes Pepper repeatedly to keep her awake.
The little boxes they call televisions are not working and thewomen with the trolleys with the vodka in miniature bottles aredreaming of land over by the cock-pit.
/Hey, what did the blonde say when she spilt cheerios out the boxonto the floor?/
Pepper turns slowly to give Mustard her please-leave-me-alonelook
/Look!!! Donut-seeds!/
Pepper lets out a hiccup-giggle as Mustard collapses intotornado-loud hysterics.
Around them, angry eyes blurry-open and mouths snarl.
/shhh, youre keeping the sleeping beauties awake/
/So bite me!/
*
Peppermint and Mustardseed part1
Mar 29, 2006
name: mouse
loaction: some cafe, amsterdam
subject: poem i came up with while eating a cake and watching an
old couple argue about whether or not they fed the cat (yes i speak
dutch, and yes i am concerned about the feeding of the cat, yes i
evesdrop, no im not going to stalk them home to take away the
malnourished cat)
~:~
i met a girl made up of cokecans, cardboard and poems written but
never sent
i asked her if she would smile
she could not was her answer for her lips were contructed of ash
and dirt
and real smiles are made up of butterfly wings
i asked her if she would laugh just once
she shook her head, she could not, for her voice box was made up of
takeaway cartons
and real laughter is the sound of thunder and lightning
i asked her what she could do
'nothing' she sighed 'until i get recycled and turned into somebody
new'
i turned to go, 'i like you like this, a compound of memories' i
smiled
she shrugged... 'its time to take out the trash'
~:~
well.. there we go
hope you enjoyed
lol
name: mouse
loaction: some cafe, amsterdam
subject: poem i came up with while eating a cake and watching anold couple argue about whether or not they fed the cat (yes i speakdutch, and yes i am concerned about the feeding of the cat, yes ievesdrop, no im not going to stalk them home to take away themalnourished cat)
~:~
i met a girl made up of cokecans, cardboard and poems written butnever sent
i asked her if she would smile
she could not was her answer for her lips were contructed of ashand dirt
and real smiles are made up of butterfly wings
i asked her if she would laugh just once
she shook her head, she could not, for her voice box was made up oftakeaway cartons
and real laughter is the sound of thunder and lightning
i asked her what she could do
'nothing' she sighed 'until i get recycled and turned into somebodynew'
i turned to go, 'i like you like this, a compound of memories' ismiled
she shrugged... 'its time to take out the trash'
~:~
well.. there we go
hope you enjoyed
lol
poem
Mar 2, 2006
ok so now theyv added yet another thing to fill in so that people
can read about u! yay how intresting for u lot!
ok well a journal is like a diary and in a diary you write down
what u did in a day...so:
today i painted my friends kids face. i asked her what she wanted
to be. she said 'a potato'. so i painted her brown. i showed my
friend i could juggle knives and cut my finger. i wore my pyjama
pants under my jeans all day for warmth... i decided to only eat
red foods today....
there u go
wasnt that EXCITING!
it surely was for me! i can barely contain myself!!
ok so now theyv added yet another thing to fill in so that peoplecan read about u! yay how intresting for u lot!
ok well a journal is like a diary and in a diary you write downwhat u did in a day...so:
today i painted my friends kids face. i asked her what she wantedto be. she said 'a potato'. so i painted her brown. i showed myfriend i could juggle knives and cut my finger. i wore my pyjamapants under my jeans all day for warmth... i decided to only eatred foods today....
there u go
wasnt that EXCITING!
it surely was for me! i can barely contain myself!!
oh how spiffingly glorious