The OKC profile, on the other hand, is sporadically rewritten.
A summary? It's probably best to say I'm like an Altman film; adored in the 1970s (and to be fair, at its best then, too.) Then largely left alone - apart from revivals of interest - in the decades that followed. Marked by lots of loose, overlapping talk and dark comedy. Much improvisation and sly subversion. Often seems to be going nowhere, but actually going somewhere after all.